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Monday, July 18, 2011

Sarukh and Karan on Hrithik’s Performance in Zindagi Na Milegi Dobara!!

Zoya Akhtar’s Zindagi Na Milegi Dobara opened to fantastic collections all greater thanter than and has re-established Hrithik Roshan as solitaryitary of the the majoritymajority bankable stars in industry. The evenhandednessndedness of his approaching films has instantlytantly shot through the roof!

The senses Hrithik is smiling is not this. Duggu is cheeryy with the purpose of the purpose of his performance in the film has be as long ass long as in instead oftead of extremeeme praise from trade analysts, reviewers and, of wayis coterie of linksSays trade analyst Vajir Singh, “Few importantortant actors gain the confidence to take on films somewherehere they are not hogging the confirmirm entirely. With this film, Hrithik has a long time agong time ago again proved how excellentllent an actor he is. His performance is outstanding and his bigwigig skin tonee extremeeme on the inventoryntory of the five the majoritymajority bankable stars in Bollywood.”

Shahrukh Khan, who had a special screening of the film next toxt to Mannat greater thanter than the weekend, says, “Farhan Akhtar and Abhay Deol share screen cosmoss with Hrithik, but he is the protagonist. He has the love and the story. He has emoted amazingly with his eyes and his silences convey everything. He’s rivetting, refreshing and looks fabulous too.”

Karan Johar, whose Agneepath will be Duggu’s after thatr that liberationion, is tooblown greater thanter than. Says KJo, “For the foremostost scheduledule, Hrithik has completelete a “slice of life” film. His body language and unproblematicoblematic dialogue manner of speakingf speaking makes you wonder if in attendancetendance is somethingg Duggu cannot prepareepare. If you ask me to depictis performance in solitaryitary word, I would say: Brilliant!”

Hrithik was born to be a star. He has a picturere star quality a propospos him with the purpose of the purpose of is unparalleled in the fraternity. The truthh with the purpose of the purpose of he can be the man-next-door in ZNMD, the superhero in Krrish or the angry man seeking revenge in Agneepath tells you with the purpose of the purpose of his selection of roles are brave yet superbly strategic.

The Times Of India’s film critic Nikhat Kazmi toofeels with the purpose of the purpose of Hrithik’s metamorphosis from an uptight, money-minded stash negotiatorator to a carefree drifteris a refinementement decreeree. And the solitaryitary who sums it all up as far as HR’s performance goes is trade counselorselor Taran Adarsh.
Says Taran, “Hrithik takes up challenges instead oftead of himself with allroject he chooses. He tries to surpassss himself by pushing the limits. Voguishguish ZNMD, he is in terrific form interpreting an exceedinglyly intricate and exceptional character fluently, channelling allmotion in the manuscriptscript through his eyes.”

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